On board ship

[T]here was a general urge to complete the operation quickly and get out, for the unventilated huts were made of planks of unseasoned, resinous pine which, after being impregnated with dirty water, urine and sea air, began to ferment in the sun and give off a warmish, sweet and nauseous odour; this, added to other smells, very soon became intolerable, especially when there was a swell.

One of the things I like best about Tristes Tropiques is the pleasure it takes in getting the sensuous detail right. There’s a kind of knowledge muscle it likes to flex as well: “unseasoned, resinous pine” has the ring of expertise to it that pulls the trust from me needed to allow him to give me the whole picture of the cramped, unpleasant on-board showers. It’s the same kind of implication of explanatory power that helps me take in his picture of wartime Martinique, with its purposeless guard, confused as to which side they were on and who their enemy was, taking out their agression with bureaucracy on a helpless boatful of refugees.

The nature of the beast

Adventure has no place in the anthropologist’s profession; it is merely one of those unavoidable drawbacks, which detract from his effective work through the incidental loss of weeks or months; there are hours of inaction when the informant is not available; periods of hunger, exhaustion, sickness perhaps; and always the thousand and one dreary tasks which eat away the days to no purpose…

Having read the first two chapters of Tristes Tropiques, I can only say that I like how Levi-Strauss fleshes out his narrative. In the first chapter he firmly states his dislike of the travel genre, cutting himself off (or setting himself apart) from it and all its weaknesses. By the second chapter, though, he’s added a historical element, provided a context both personal and historical for the writing of the book. It’s the promise of flesh (observations on history and culture and his own personal development) for the skeleton he set out in the first chapter (anthropologist goes to Brazil). A good start for what looks like a complex and thoughtful book.

Tristes Tropiques

Blogs collect unfulfilled projects. (It’s a form of internet lint.) Why should this one be different? One more thing I plan to use this site for, another thing I get to avoid doing in avoiding coming here, I won’t notice it. So let’s announce it: We, Mfc and I, plan to read Lévi-Strauss’s Tristes Tropiques, a couple chapters a week, for the next however long, and blog an exchange about it. It’s one of my favorite books, and I haven’t read it in five years. I’m really looking forward to revisiting it. You’re welcome to participate, comments are open.

The rough idea is: we’ll choose a short passage, one each each weekend, and write a short, off-the-cuff post about it. Dialogue, hopefully, to follow, threaded beneath. (No promises, though.)

Admonitory premonitory

There’s a guy I see around town from time to time, and I never like seeing him. Oh, he’s harmless, pretty nice guy, we’ve talked a few times. He always says hello when he sees me. But there’s always a sense I get, whenever we meet, that there’s something shameful between us, and we both know it.

I met him in late 2004, at one of the first jobs I worked at in Portland: temping in the swing shift at the check batch processing department of a bank. My job was to pull register tapes from batches of checks, scan the tapes, and bundle the checks with a rubber band. When I’d done enough to fill a tray, I would walk the tray over to the side of the floor with the optical scanners. It was an okay job, so long as I kept myself in books on tape; minimal attention required to do the work.

He had the same job: a shortish, reddish man with a white moustache and short white hair. He stood out, most of the people on our side of the floor were South Slavic college students, stood out even among the temps (temps are always odd lot). Serious demeanor, slurred the s sound in his speech in a deliberate way, was always reading on his breaks or at off-peak times. One day I noticed he was reading a book with that tell-tale inter-library loan sheath around the cover. So I asked him about it, and he told me he was assisting a friend’s research – something about some Indian philosophy, I don’t recollect if it was ancient or contemporary, but I have a feeling that it was something that had been fashionable or attractive thirty years ago and was largely forgotten now. That was more or less the end of that conversation. I thought about trying to get him to talk more about it, explain a little more what he was researching, why, whether I would be interested. But he seemed so ashamed during our first conversation that I left him alone.

At any rate, we didn’t talk any more about it, and I soon quit that job – taking three days off unscheduled at four hours’ notice counts as quitting, it turns out – and then I started running into him all over. Especially on the bus, at the central library, and the Portland State University Library. Invariably he would be reading, I would be reading, we would both ignore each other until it was impossible to keep it up, then nod, and say hello, and do our best to ignore each other. I don’t know why I made him uncomfortable, but I think I know why he made me uncomfortable.

I had been reading New Grub Street by George Gissing at the time I met him, and it had rubbed off on my whole self-perception and my perception of my environment at that time. If you don’t know the book: it’s about the life of different writers and the different ways they make ends meet in late 1890s London. It’s stands out for me especially in its detailed description of the day to day economics of living a writer’s life, and the effect that kind of life has on the domestic lives of the characters. Detailed isn’t the word, maybe concrete is: the description is hard to ignore, large and cold and finely delineated, all the bumps and irregularities that make a thing real, that’s what I want in the word.

I was just coming to realize at that time (as I do, from time to time – every year or two I have a giant skull-opening, mind-blinding realization of the same damn thing each time, over and over again) what it means to have to earn your bread and self-respect by the sweat of your brow, or I mean sale of your time, and that depressed me. My time, the only thing I had that I could make into something that might not pass away irretrievable like everything I said and saw and felt, the only space I had to work in.

And seeing this one everywhere I went like my own future coming back to warn me, this specter life had clearly passed by, hanging on to charlatan intellectuals still living in generation-old fashions, taking books out from the library and bringing them back again in an endless round, desperate to talk to someone and touch another mind but ashamed to try, well, it seemed threatening to me.

I saw him today on the bus. I had two stacks of groceries, a Finnish novel from the thirties, and another book by the guy who wrote The Body Snatchers. He saw me, pretended he didn’t, sat leafing through a book, watched me, for a little and pulled out a notebook and made a few notes, then put it away and greeted me as he went towards the door at his stop. I didn’t respond quickly enough, or something in my response put him off, so he felt he had to explain where he knew me from, turning bright red as he stepped onto the curb. I wonder what he wrote about in his notebook, and do I bother him as much as he bothers me.

The immediate reason

“If you can’t say anything nice, don’t say anything at all!”

If I don’t say anything at all, I’ll never say anything nice. So, resolved: I’m reopening this blog.

The immediate reason for my resolution is as usual I got annoyed at something I read somewhere. This time it was in the beginning to Iris Murdoch’s The Black Prince. The phrase was something like “saints of art” (who consecrate themselves to silence, a pure sacrifice to purity of never doing anything less than perfect and hence do nothing at all), and I wanted to be sure I could never be confused with anyone anybody could approve of with such an awful phrase. (And then I got annoyed because I was being manipulated by a nasty author into an unearned sense of superiority over their main character for their own sinister purposes, but that’s another story.)

Less immediate: I need some kind of anchor on the internet (don’t wander too far from home). I need a place to scattercast my mental chatter from (one person at a time is too slow and I repeat myself too much). And I need something limited to focus my anxiety on (and make it productive). This will be those, and they will be it.

Regular updates to follow. Well, they ought to, but no promises.